Join The Drawing Board community in congratulating owner and editor-in-chief, Nakita Valerio, on being the recipient of a Government of Alberta Graduate Student Scholarship. The Graduate Student Scholarship recognizes and rewards outstanding students in their second year of a full-time masters program in Alberta. Award recipients are selected based on all marks obtained in the first year of the student’s masters program. The award comes with significant funding which will be used to continue her studies after her defence is complete. Join us in celebrating this monumental honour.

The tentative title of Nakita’s thesis is: Remembering the Departure of Moroccan Jews. 


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Nakita Valerio is an award-winning writer, academic, and community organizer based in Edmonton, Canada. She recently completed graduate studies and work as a research assistant in History and Islamic-Jewish Studies at the University of Alberta, as well as a research fellowship on Islamophobia and anti-Semitism for The Tessellate Institute. Nakita serves her community as the Vice President of External Affairs with Alberta Muslim Public Affairs Council (AMPAC), as an advisor for the Chester Ronning Center for the Study of Religion and Public Life,  and as a member of the Executive Fundraising Board for the YIWCL Cree Women’s Camp. Nakita is the co-founder of Bassma Primary School in El Attaouia, Morocco and is currently working on a graphic novel memoir weaving her experiences abroad with her community work and research.

 

Join The Drawing Board community in congratulating owner and editor-in-chief, Nakita Valerio, on being the recipient of the Sir Guy Carleton Graduate Scholarship in History. This award is endowed by the late Mrs. Agnes Agatha Robinson and is one of two scholarships awarded annually to graduate students of outstanding merit: one in English and Film Studies and one in History and Classics. The award comes with significant funding which will be used to fund her studies in Edmonton and research abroad. Join us in celebrating this monumental honour.

The tentative title of Nakita’s thesis is: Remembering the Departure of Morocco’s Jews: Personal Memories, Cultural Representations, Historiography and Silences


nakita

Nakita Valerio is an award-winning writer, academic, and community organizer based in Edmonton, Canada. She recently completed graduate studies and work as a research assistant in History and Islamic-Jewish Studies at the University of Alberta, as well as a research fellowship on Islamophobia and anti-Semitism for The Tessellate Institute. Nakita serves her community as the Vice President of External Affairs with Alberta Muslim Public Affairs Council (AMPAC), as an advisor for the Chester Ronning Center for the Study of Religion and Public Life,  and as a member of the Executive Fundraising Board for the YIWCL Cree Women’s Camp. Nakita is the co-founder of Bassma Primary School in El Attaouia, Morocco and is currently working on a graphic novel memoir weaving her experiences abroad with her community work and research.

 

Join The Drawing Board community in congratulating owner and editor-in-chief, Nakita Valerio, on her recent appointment to the advisory committee for the Chester Ronning Center for the Study of Religion and Public Life. The CRC is a gathering point within the University of Alberta: Augustana Campus focusing on a broad range of themes where religion and public life intersect. To the discussion of vital issues that often call forth deeply emotional responses, it seeks to bring original contributions that embody the highest standards of academic scholarship. While rooted in the academy, activities of the Center engage the public square and the full range of religious communities, bringing the depth and texture of the most varied religious and civil ideas into a hospitable and constructive conversation.

The appointment carries a 3-year term which involves service in shaping an agenda for research, public programming, and dialogue in relation to religious communities in Alberta and around the globe. Being offered the opportunity to serve this institution is a great honour.


nakitaNakita Valerio is an academic, activist and writer in the community. She is currently pursuing graduate studies in History and Islamic-Jewish Studies at the University of Alberta.  Nakita was named one of the Alberta Council for Global Cooperation’s Top 30 under 30 for 2015, and is the recipient of the 2016 Joseph-Armand Bombardier Canada Graduate Scholarship from the Social Sciences and Humanities Research Council, as well as the Walter H. Johns Graduate Studies Fellowship. She has also been honoured with the State of Kuwait, the Queen Elizabeth II and the Frank W Peers Awards for Graduate Studies in 2015. She has been recognized by Rotary International with an Award for Excellence in Service to Humanity and has been named one of Edmonton’s “Difference Makers” for 2015 by the Edmonton Journal. Nakita is the co-founder of Bassma Primary School in El Attaouia, Morocco and the Vice President of External Affairs with the Alberta Muslim Public Affairs Council.

This past weekend, I completed a 5km run in support of the YIWCL’s Cree Women’s Cultural Camp at the University of Alberta. The cultural immersion camp recently lost its corporate sponsorship and is scrambling to find ways to finance their endeavours for creating safe spaces of empowerment and cultural reclamation for young Indigenous women. The run is but one of the many ways I am joining forces with organizers to get this cause back on its feet.

The run was easy, as was setting up the Go Fund Me page to garner donations from friends and family online. It is amazing how building a narrative about something online doesn’t seem real though, until your feet actually start hitting the pavement. It was at that point, when I could hear the crunch of my sneakers on the icy pavement, that I realized what I was doing.

So much of our current cultural climate is based around literacy – we live in a word-saturated universe of tweets, articles, diatribes and likes. So what happens when words turn into action? I could have easily just set up the Go Fund Me campaign and watched the money roll in without having to get up off my couch. What significance does running hold for this cause?

Running is a ritual of being-present, reflecting on one’s self and one’s presence in their temporal-spatial reality. I used to run all the time; I even used to call myself a runner. However, the combination of PTSD following birth trauma and a sedentary academic lifestyle in completing my Masters has put the brakes on my once-regular running ritual. When I got out there on the weekend, the pavement was covered with freshly fallen snow and my breath clouded in the space in front of my face. It felt like coming home again.

I realized that completing the action of running for my sisters was just as important as raising the money itself. In the process of moving my body through space in solidarity with my Indigenous sisters, I was engaging with my own relationship with reconciliation by contemplating the presence of my body in this space, on this land, on Treaty 6 territory, on a day when most people are celebrating the colonization (Thanksgiving). I was committing more than just my thoughts and vocabulary (albeit important things too!) to the narrative and cause of reconciliation. I was also committing my physical body and time to it. I was working for it.

For the next run on December 8th, I have 9 women who have pledged to join me in working for a better future together. We will run as a sisterhood for the cause of sisterhood, bringing about reconciliation through our actions one step at a time.

Join us: www.gofundme.com/creewomenscamp


nakitaNakita Valerio is an academic, activist and writer in the community. She is currently pursuing graduate studies in History and Islamic-Jewish Studies at the University of Alberta.  Nakita was named one of the Alberta Council for Global Cooperation’s Top 30 under 30 for 2015, and is the recipient of the 2016 Joseph-Armand Bombardier Canada Graduate Scholarship from the Social Sciences and Humanities Research Council, as well as the Walter H. Johns Graduate Studies Fellowship. She has also been honoured with the State of Kuwait, the Queen Elizabeth II and the Frank W Peers Awards for Graduate Studies in 2015. She has been recognized by Rotary International with an Award for Excellence in Service to Humanity and has been named one of Edmonton’s “Difference Makers” for 2015 by the Edmonton Journal. Nakita is the co-founder of Bassma Primary School in El Attaouia, Morocco and the Vice President of External Affairs with the Alberta Muslim Public Affairs Council.

In personal solidarity with Alberta’s First Nations and Indigenous communities, The Drawing Board owner, Nakita Valerio, is raising money raising money in support of the Young Indigenous Women’s Circle of Leadership youth camp by getting sponsorship for a 5km run on October 8th, 2016.

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The money will be donated to the YIWCL to be used for basic operational costs of their 8-day intensive, Cree-immersion cultural camp. Recently, this camp lost funding and faces an uncertain future.

This initiative means a lot to me because I have learned that one of the first points of cultural erosion and social disorder is the erasure of a community’s history and culture. In my experience in women’s advocacy, I have also learned that incredible social change comes through the empowerment of women and the creation of safe spaces in which they can learn and grow.

I am doing my very small part to get fundraising kick-started for this very worthwhile cause and would appreciate your support of both my social justice and exercise efforts in the meantime.

Donors will receive social media shout-outs and other perks along the way.

Help spread the word!
IMAGE CREDIT: Artist Aaron Paquette – please visit his blog HERE and support local artists.

 

 

A version of this article was originally presented by Liz Hill in February 2016 at the University of Alberta History and Classics Graduate Student Conference on the theme of the sacred.

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In his Life of Saint Francis of Assisi, Bonaventura credits an encounter with a leper with being a formative moment in Francis’ conversion. While traveling, Francis happened upon a leper on the side of the road. Initially horrified by this surprise encounter, Francis remembered his developing spiritual intentions and that if he was to become a soldier of Christ he must first conquer self. He leaped from his horse to embrace the leper, and kissed the leper’s hand as he gave him alms. After mounting his horse and turning back towards the leper, Francis found that the leper had miraculously vanished without a trace. Shortly after this episode Francis received a vision of Christ that called him to the apostolic life. “From that time forth,” writes Bonaventura, “Francis put on the spirit of poverty, the feeling of humility, and the love of inward godliness.” In contrast to his previous loathing of lepers, the converted Francis began to frequent their homes, giving alms and kissing their hands and faces. In The Little Flowers of Saint Francis of Assisi, a later collection of stories about Francis and the early Franciscan Order, Francis is credited with curing a leper both physically and spiritually. The leper in this story was so ill tempered and blasphemous that none of the other brothers would tend to him. Francis bathed the man and where the saint touched, his leprosy was cured. Seeing this, and the charitable and compassionated example of Francis, the leper repented for his sins and after his death Francis received a vision of the leper’s soul ascending to heaven.

Catherine of Siena also tended to an ill tempered and ungrateful leper. Catherine’s leper was named Tecca and her leprosy was so severe that everyone was repelled by the smell and she had no one to care for her. She was going to be removed from the city when Catherine came to the hospital, promising to tend to her every need and be her servant for the remainder of Tecca’s life. Unlike Francis’ leper, who was moved to penitence after the saint’s charitable example, Tecca became filled with pride, ingratitude, and irritation at Catherine’s humility and charity. Nonetheless, Catherine persisted in her ministrations until the leper’s death. Catherine even contracted leprosy on her hands from her contact with Tecca’s corrupted body. This leprosy miraculously disappeared after Catherine prepared and buried Tecca’s body. Raymond of Capua reports that Catherine’s “hands seemed to be whiter than the rest of her person, as though the leprosy had imparted additional delicacy to them.”

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Lepers appear in miracle stories throughout the Middle Ages, beginning with Christ cleansing lepers in the New Testament. There is a transformation in their narrative roles and the type of sainthood that they help construct around the eleventh century, though. Prior to the eleventh century leprosy mainly appeared as an affliction under divine control, often as a punishment or penance. Miracles that involved controlling leprosy – whether by curing a penitent leper or afflicting a sinner with the disease – were highly effective demonstrations of a saint’s supernatural powers because of leprosy’s natural incurability and biblical associations. The leper’s role was to be an outlet for the saint’s powers, and show the link between sin and punishment, and penitence and mercy. After the eleventh century the “ministering” saint became more prevalent and the role of lepers in those stories is simply to be the suffering recipient of charity. Catherine and Francis are both ministering saints, as are Elizabeth of Hungary and the less well-known St Eleazar. Martin of Tours and St Radegund were earlier models for the ministering saint. Martin cured a leper with a kiss, and St Radegund welcomed a group of lepers into her convent. Some ministering saints are credited with curing lepers, but stories of these interactions emphasize the saint’s compassion and ministration to the material needs of lepers. Rather than focusing on encounters between supernaturally powerful saints and stricken, penitent lepers, late medieval hagiography depicts penitent and humble saints serving lepers out of Christian charity.

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Charitable service is regularly represented in hagiography by acts such as bathing, embracing, and kissing lepers. Martin and Radegund both kissed lepers, but it became a common hagiographic trope along with the increased popularity of ministering saint after the eleventh century. Francis kissed the leper he met on the road and St Eleazar kissed three lepers who later found the stench of their disease replaced by a pleasant scent and their bodies cured. Both bathing and kissing involve close physical engagement with the leprous body. Catherine’s ministrations to the leper Tecca brings her so close to the leprous body that her own hands become leprous. Visual depictions of Elizabeth of Hungary also show her bathing lepers and Jacques Voragine wrote that she “laid in her lap a man horribly sick, which had his visage stinking like carrion” and shaved and washed his head. (The patient’s “stinking visage” suggests that he was a leper since bad breath and smell from the mouth and nasal cavity was a known symptom of leprosy.)

The intimacy and tenderness of these acts is often contrasted with descriptions of the disgusted responses of onlookers, or even by the saint’s own initial negative response to the leprous body. Before his conversion, “even the distant sight of lepers had filled [Francis] with violent loathing,” wrote Bonaventura, and Francis’ initial response to suddenly coming upon the leper on the road was horror. Raymond wrote that one of the virtues exhibited by Catherine in her care for Tecca was “patience [that] led her to support with joy the violence of the leper’s temper as well as the disgusts inseparable from that loathsome malady.”  Tecca is introduced as having been abandoned by her care-givers because her disease had become so unpleasant and smelly that no one, except the saintly Catherine, could stand to be around her. Elizabeth’s tenderness towards the patient with the “stinking visage” was also met with “loathing” and “scorn.” “All shuddered” to see Martin kiss the leper whom he cured outside Paris and one of Radegund’s attendants questioned who would kiss Radegund now that she had embraced lepers, to which Radegund responded “Really, if you will not kiss me it is no concern of mine.”

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These interactions between lepers and ministering saints have a fairly clear didactic purpose. They give hagiographers the opportunity to illustrate their saint’s charity, kindness, and humility. In some ways, the ministering saint can be viewed as a rather “down to earth” and practical model of sainthood. Rather than performing miracle cures they give alms and simply display compassion for the marginal and poor, modeling behaviors that could be emulated by ordinary Christians. This narrative purpose could be just as easily fulfilled by describing interactions between saints and any type of poor, sick, or disabled person, however. The leper has a uniquely untouchable nature, however, that gives more weight to the hagiographer’s demonstrations of his subject’s holiness.

The leper’s untouchable nature was perhaps most acutely manifested in his body, which was characterized as repulsive and gross, but his social status was also defined by untouchability. Recent scholarship has shown that rigid and punitive segregation and confinement of lepers has been simplified and over exaggerated, but medieval society did follow the spirit of biblical laws about leprosy that stated that the leper must live “outside the camp.” The leprosarium provided refuge, care, and community for lepers but it developed because lepers were customarily excluded and stigmatized, putting them in a vulnerable and needy social position. Lepers were marked out from the general population by special clothing, noisemakers that they carried to attract almsgivers and warn people of their presence, and of course by the physical marks of the disease itself. Although some could afford to remain in seclusion at home, most were made to live physically outside of society and their interactions and freedom of movement were restricted by measures that prevented them from eating with the healthy, sharing the same water sources, or frequenting public places such as taverns and markets. The actual institution and enforcement of these measures varied by time and place but the overall social responses to leprosy aimed to prevent contact, both physical and social, between lepers and the healthy.[1]

The socially and personally untouchable nature of lepers made the tactile interactions between lepers and saints a double transgression. There was transgression across the social boundaries that removed the saints, as healthy and often upper class members of society, from the lepers who lived on the margins of society, and there was transgression of normative personal boundaries. As the reactions to saints embracing lepers, and hagiographers’ descriptions of the corrupted bodies of lepers show, the normal response to the leprous body and person was repulsion and disgust. Saints are able to make these transgressions at the extreme level of intimate touch because of their exceptional, and sacred, natures.

Merchant class or noble saints such as Francis, Catherine, Eleazar, and Elizabeth serving members of a segment of society so marginal as to symbolize the entire concept of marginality was a transgression of social boundaries that demonstrated saintly humility and charity. Representing that transgression with an act as intimate and lowly as washing lepers’ feet dramatized this transgression very powerfully. It also drew on the idea that charity and service to the lowest of society was charity and service to Christ. Because Christ’s suffering during the Passion, and disfigured appearance after, were likened to the suffering and disfigurement caused by leprosy. Thus the charity and humility demonstrated by serving lepers had additional significance as symbolic service of Christ.

Transgressing the personal boundary created by the leprous body’s repulsiveness demonstrated mortification of self and transcendence of normal bodily reactions of disgust, in addition to being an expression of compassion and love. Francis’ encounter with the leper marked a turning point in his conversion because it was an act consciously undertaken in order to “conquer self” by resisting his normal, but selfish and uncharitable, revulsion towards the miserable leper. Raymond credits Catherine with the virtue of patience for bearing the disgust of her patient’s disease. When saints don’t struggle with their own revulsion, the ease with which they physically interact with lepers, such as in the cases of St Martin and St Radegund, is contrasted with the disgust of onlookers, demonstrating that the saint already possesses a degree of spiritual love and charity that allows them to be undisturbed by either their or others’ physical states.

Interactions between lepers and saints in hagiography make use of the untouchable leper and the act of touch by the saint to articulate ideas about sainthood – the traits that make a saint, and what the enactment of ideal Christianity looks like. The act of touch itself, however, has significance itself as an act with sacred power. Medieval Christianity made use of touch in a number of ways to express, transmit, and interact with sanctity, including the laying on of hands, the kiss of peace, devotional gestures, ascetic use of sensation (especially pain and discomfort), and devotional touch. Mystical experiences and spiritual relationships were also expressed through images of touch. The use of relics, in particular, demonstrates the perceived power of touch to confer sanctity through touch. Relics, sacred sites, and even living holy people became the objects of devotees’ feverish desire to touch. Hagiographies and miracle books from shrines recount the miraculous healing powers of relics, but even for those who were not sick, touching a relic provided a moment of closeness to the sacred and divine, possibly conferring some blessing or special grace.

The act of touch between leper and saint can be interpreted as a transmission of sanctity, much like that which occurs when a devotee touches a relic. In earlier hagiography that emphasized the saint’s power to heal and the leper’s penitential attitude the leper takes the role of recipient of the powers of the saint’s sanctity, but in the later examples, in which touch becomes most prominent, these roles are almost reversed. The lepers are sometimes healed, either physically or spiritually, but it is the saint who seems to truly benefit from the interaction. Catherine’s leper does not even repent for her ingratitude at the end of her life. Catherine, however, receives a sign of her own special grace by the miraculous cure of her leprous hands. Francis receives a vision that confirms his vocation after kissing his leper. Bathing lepers at least serves their physical needs, but kissing a leper primarily serves to demonstrate the saint’s piety more than to benefit the leper. The leper is the passive object of touch, like a relic, and in the tactile interaction between leper and saint, it is the leprous body that is emphasized rather than the saintly body. The saint is the holy person, and the leper might not even be portrayed as a very good person, but the leprous body has power when it is touched because it is normally untouchable. The leper’s body is in a sense sacred because it is only touchable by the very holy. Through receiving a saint’s touch, it either confers or reveals that individual’s sanctity.


 

[1] It is worth noting that this was not motivated by fears of contagion. Medical theories about the spread of leprosy only developed in earnest in the late Middle Ages and the idea of easy contagion by miasma only began to gain prevalence in the fourteenth century. Most medical sources suggest that leprosy could only be contracted by regular and prolonged interaction with lepers, or by sexual contact either with a leper or with a woman whose last partner was a leper. The leper’s isolation through out the Middle Ages was much more firmly rooted in Biblical tradition and the disease’s moral associations than in medical fears.

Further Reading

Boeckl, Christine M. 2011. Images of Leprosy: disease, religion, and politics in European art. Kirksville: Truman State University Press.

Demaitre, Luke E. 2007. Leprosy in Premodern Medicine: a malady of the whole body. Baltimore: Johns Hopkins University Press.

Orlemanski, Julie. 2012. “How to Kiss a Leper.” Postmedieval: a journal of medieval cultural studies 3

Rawcliffe, Carole. 2007. “Isolating the Medieval Leper: Ideas – and Misconceptions – about Segregation in the Middle Ages.” Harlaxton Medieval Studies 15.

Stemmle, Jennifer. 2015. “From Cure to Care: Indignation, Assistance and Leprosy in the High Middle Ages.” In Experiences of Charity, 1250 – 1650. Farnham, Surrey: Ashgate.